The Emperor of Electro-Harmonix

Mike in the E-H assembly area
Mike in the E-H assembly area

Back in the late 1970s, I worked in the diamond district of of NYC. At first it seemed exotic. Then daily tedium set in so badly I found myself taking lunch breaks a block down on 48th street to save my sanity--the music street as its known. At the time Electro- Harmonix had a great showroom. Cool and dark on blistering Manhattan days, it was like stepping into a time portal with untold treasures of guitar effx boxes.

I still have and use my very first E-H box--a Guitar Micro Synth that turned 32 years old this winter. The rest is history. Back then I never could have conceived of talking with the man behind all this--or that someday he would be a special guest on an eclectic radio show called The Electric Croude during IGM (International Guitar Month). If Mike Matthews didn’t exist, someone would probably have to invent him. Entrepreneur, visionary, musician, promotor... he’s all of these. And more. Guitarists know him best for inventing some of the best stomp boxes ever made--even though he’s a keyboard player. For those who don’t play... stomp boxes, or pedals, modify a guitar signal in various fashions by way of time delay, overdrive, compression and limitless colors. Google the Electric Mistress pedal for a mini-education. While there are dozens of companies a generation after 1968 that make pedals, Mike was at the head of the pack with his classic fuzz box. Then the family of pedals sprang into the guitarist’s vocabulary overnight like proverbial tone processing mushrooms.

Decades after I bought my first E-H pedal, my latest acqisition is the Ravish Sitar. Quite simply, plug your guitar into it and out comes scintillating tones from the East a la great Sitar tones with accompanying droning scales. I could spend years and thousands of $$$ buying the real thing and taking lessons--provided I could find someone to teach me. Or, Mike’s latest box that lets me realize music I already have in my head. Check out the demo:

Mike is best know for his pedals. This is part of what the industry and players know best, but did you have any idea that Mike also worked for IBM, has multiple degrees, was a successful promoter of 60’s acts, and one of the first to book a man who played with his teeth called Jimmy James? That Jimmy James much better known, as Jimi Hendrix. On the show this week, you will hear great examples of electric playing from Jimi and others and a rare glimpse of a special friendship that developed between the two. 

Mike didn’t stop with pedals. If you treasure the warm intimate sound that only tube amps can give, chances are the bottles in your box are made by Mike. If all this sounds Greek to you, fear not. Mike is as colloquial as he is savvy. Players will no doubt drool in hearing this legend, for the rest, an education in sound modification--there is seldom a contemporary song that floats by that doesn’t have a guitarist using some kind of a pedal.

More than anything you have a rare opportunity to peek inside an industry often veiled to the public. As Mike is prone to say, Rock and Roll!

The Electric Croude, now 27 years young, airs every late Saturday at Midnight on WCVE Public Radio. Also simul streaming at ideastations.org/radio.

Next week: International Guitar Month continues with guitar/amp author Dave Hunter.

It's always great to see anything praising Mike and his influence on the effects world as we know it. Proof that living legends exist and should be recognized. Like most of us, I too have always had an EH pedals on many of the floors I've owned and played on. EH is simply part of the fabric of being a musician.

Credit should also be given to the people Mike has worked with over the years. Thank you for creating such wonderful things for us to create such wonderful things. dB

p.s. Nice vids you have on YouTube aka Marvin Player. LOL!!!!!

Martin,
Thanks for your response. At least you confirmed that electo-harmonix sold 12 string guitars. Like yours, mine has no other markings, not even on the inside. The tone is above average and rather playable. I pretty much learned to play on mine, for that reason I have kept it. Thanks again!
Todd

Good stuff. Mike should get his dues. I got my first Big Muff in 1973. I recall he even had a line of acoustic guitars. Got an Electro - Harmonix 12 string around 1974 or 75. Had plenty of money back then and kept a bundle in my picket for 6 months looking for 12 strings. tried every big Logo name from Mrt'n on down. Walked out with one of Mike's ( built I don't know where ) but the tone & playability was excellent. The guy is an icon in the modern American music industry. Thansk for bringing it to our attention. Martin Vincent aka Marvin Player

Martin,

I believe I have an electro-harmonix 12 string guitar as well. What does yours look like? I acquired mine around 1978 at a swap meet in Friendship, Indiana. The only marking is an "e h" on the headstock. Does yours have an electric pickup built in? I am looking for what ever information you can offer me. I've only been told what mine was by one person and that was 30 years ago. I believe these guitars are rare.

Todd

Todd,

Can't tell you much about them. Mine has long been gone. It had no Pick up just straight acoustic. Typical Dreadnaught body. Not certain of where it was made as it had no markings regarding. It did have Electro - Harmonix written full out on the headstock.
The guitar played well right out of the box. Didn't fight me at all like many 12 strings. The tone was better than average. I don't know what manufacturer EH farmed that out to. During that era it was likely a Japan maker.
Rare, with the EH log I'd say for sure. I have only seen one ( mine ). Your sis only the 2'd I've heard about. That's all I know my friend. Marv

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